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He was born in Belluno, son of Andreana and Livio Ricci.In 1671, he apprenticed to Federico Cerebri of Venice.In 1701, the Venetian geographer Vincenzo Maria Coronelli commissioned a canvas of the Ascension that was inserted on the ceiling of sacristy of the Basilica of the Santi Apostoli in Rome.In 1702, he frescoed the ceiling of the Blue Hall in the Schönbrunn Palace, with the Allegory of the Princely Virtues and Love of Virtue, that illustrated the education and dedication of future Emperor Joseph I.During his Florentine stay he first completed a large fresco series on allegorical and mythological themes for the now-called Marucelli-Fenzi or Palazzo Fenzi (now housing departments of University of Florence).After this work, Ricci, along with the quadraturista Giuseppe Tonelli, was commissioned by the Grand Duke Ferdinando de' Medici to decorate rooms in the Pitti Palace, where his Venus takes Leave from Adonis contains heavenly depictions that are airier and brighter than prior Florentine fresco series.

In 1692, he was commissioned to copy the Coronation of Charlemagne by Raphael in Vatican City, on behalf of Louis XIV, a task he finished only by 1694.In Vienna, Frederick August II, the elector Saxony, requested an Ascension canvas, in part to convince others of the sincerity of his conversion to Catholicism, which allowed him to become the King of Poland.In 1704 he executed in Venice a canvas of San Procolo (Saint Proculus) for the Dome of Bergamo and a Crucifixion for the Florentine church of S. In the summer of 1706, he traveled to Florence, where he completed a work that is by many considered his masterpieces.In 1698, he returned to the Venetian republic for a decade.By August 24, 1700, he frescoed the chapel of the Santissimo Sacramento in the church of Santa Giustina of Padua.

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The death of the Duke Ranuccio in December, 1694, who was also his protector, forced Ricci to abandon Rome for Milan, where by November of 1695 he completed frescoes in the Ossuary Chapel of the Church of San Bernardino dei Morti.

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